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Ebook Noviembre by Gustave Flaubert read! Book Title: Noviembre
The author of the book: Gustave Flaubert
Edition: Createspace Independent Publishing Platform
Date of issue: May 24th 2016
Format files: PDF
The size of the: 779 KB
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Reader ratings: 6.7
ISBN: 1533441456
ISBN 13: 9781533441454
Language: English

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Noviembre, (Novembre en Frances) es un relato del escritor frances Gustave Flaubert. Con esta obra, terminada el 25 de noviembre de 1842, Flaubert clausuro su etapa literaria de juventud. El autor nunca dio autorizacion para publicarla, y no vio la luz hasta 1910. Flaubert escribio Noviembre en 1842, cuando tenia apenas veinte anos. Considerada la novela que cierra la produccion de juventud de Flaubert (marcada por esta obra y por Memorias de un loco), estamos ante una autentica bildungsroman sentimental, una sorprendente novela de iniciacion amorosa, que explora los sutiles mecanismos de la atraccion erotica y los remordimientos provocados por las relaciones adulteras y el lado pasional de las relaciones humanas. En esta novela, de lectura adictiva, y un delicioso recorrido sobre la exaltacion pasional, un muchacho, en el que podemos ver reflejado el propio Flaubert, medita en el curso de un paseo campestre sobre las mujeres (incluyendo a Marie, la prostituta que lo inicio en los secretos de la carne, y que es, a partes iguales, la mujer angelica e intocable, y la hembra fatal armada de un erotismo destructor. Noviembre es, probablemente, la genuina cronica de una obsesion amorosa, con un joven Flaubert de protagonista. Esta novela, que Flaubert no publico en vida (era un escritor enfermo de exactitud, y buena parte de su produccion hasta Madame Bovary era considerada por el como ejercicios de estilo), pero que siempre considero con un carino especial, es una habil diseccion del mundo amoroso, en la que se analiza la pasion y el sufrimiento asociado a ella, cuya profundidad psicologica presagia ya el estilo de obras futuras como Madame Bovary o La educacion sentimental."

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Ebook Noviembre read Online! Gustave Flaubert (December 12, 1821 – May 8, 1880) is counted among the greatest Western novelists. He was born in Rouen, Seine-Maritime, in the Haute-Normandie Region of France.

Flaubert's curious modes of composition favored and were emphasized by these peculiarities. He worked in sullen solitude, sometimes occupying a week in the completion of one page, never satisfied with what he had composed, violently tormenting his brain for the best turn of a phrase, the most absolutely final adjective. It cannot be said that his incessant labors were not rewarded. His private letters show that he was not one of those to whom easy and correct language is naturally given; he gained his extraordinary perfection with the unceasing sweat of his brow. One of the most severe of academic critics admits that in all his works, and in every page of his works, Flaubert may be considered a model of style.

That he was one of the greatest writers who ever lived in France is now commonly admitted, and his greatness principally depends upon the extraordinary vigour and exactitude of his style. Less perhaps than any other writer, not of France, but of modern Europe, Flaubert yields admission to the inexact, the abstract, the vaguely inapt expression which is the bane of ordinary methods of composition. He never allowed a cliché to pass him, never indulgently or wearily went on, leaving behind him a phrase which almost expressed his meaning. Being, as he is, a mixture in almost equal parts of the romanticist and the realist, the marvellous propriety of his style has been helpful to later writers of both schools, of every school. The absolute exactitude with which he adapts his expression to his purpose is seen in all parts of his work, but particularly in the portraits he draws of the figures in his principal romances. The degree and manner in which, since his death, the fame of Flaubert has extended, form an interesting chapter of literary history.

The publication of Madame Bovary in 1857 had been followed by more scandal than admiration; it was not understood at first that this novel was the beginning of something new, the scrupulously truthful portraiture of life. Gradually this aspect of his genius was accepted, and began to crowd out all others. At the time of his death he was famous as a realist, pure and simple. Under this aspect Flaubert exercised an extraordinary influence over Émile de Goncourt, Alphonse Daudet and Zola. But even after the decline of the realistic school Flaubert did not lose prestige; other facets of his genius caught the light. It has been perceived that he was not merely realistic, but real; that his clairvoyance was almost boundless; that he saw certain phenomena more clearly than the best of observers had done. Flaubert is a writer who must always appeal more to other authors than to the world at large, because the art of writing, the indefatigable pursuit of perfect expression, were always before him, and because he hated the lax felicities of improvisation as a disloyalty to the most sacred procedures of the literary artist.

He can be said to have made cynicism into an art-form, as evinced by this observation from 1846:

To be stupid, and selfish, and to have good health are the three requirements for happiness; though if stupidity is lacking, the others are useless.

His Oeuvres Complètes (8 vols., 1885) were printed from the original manuscripts, and included, besides the works mentioned already, the two plays, Le Candidat and Le Château des avurs. Another edition (10 vols.) appeared in 1873–1885. Flaubert's correspondence with George Sand was published in 1884 with an introduction by Guy de Maupassant.

He has been admired or written about by almost every major literary personality of the 20th century, including philosophers such as Pierre Bourdieu. Georges Perec named Sentimental Education as one of his favou

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